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17 MARCH 1962 – SAM LEACH’S LEGENDARY – ST. PATRICKS NIGHT ROCK GALA – WITH THE BEATLES AND RORY STORM AND THE HURRICANES

St Patricks Night
St Patrick's Gala - The Beatles
St Patrick’s Gala – The Beatles

March 17 – Saturday — Liverpool | Knotty Ash Village Hall | ‘St. Patrick’s Night Rock Gala’ | Sam Leach sets up a special ‘Battle of The Bands’ between The Beatles and Rory Storm and the Hurricanes | Later friends and family attend a private party to celebrate Sam’s engagement to Joan McEvoy | Brian Epstein and Bob Wooler among the guests.

RINGO STARR hit the snare with a crack. Rory Storm threw his arm out, pointed at the audience, held a finger up to heaven, and stepped into ‘Blue Suede Shoes’. He rolled his shoulders, thrust out two fingers, and Ringo cracked the snare a second time. On three, Rory shook his arm and snapped his head from side to side. On four, he swivelled his pelvis, stiffened his legs, and spun round. The cat now well and truly out of the bag, he trembled all over, slowly rolled his head, shook his curly blond locks, dipped and dropped, jumped and jived, spun round again, told everyone they could do whatever they wanted to. Then he suddenly stopped, snarled, curled his lip, looked mean, magnificent—real cool, man, cool—and growled that everyone better lay off Sam’s Hush Puppy suede shoes. He paused for the very briefest of moments—let the moment crackle in the air—then Rory Storm and The Hurricanes set about blowing the roof off.

Rory Storm and the Hurricanes
Rory Storm and the Hurricanes

The full rocking force of Liverpool’s ‘Mr Showmanship’ swept up everything before it. This was ‘the Storm’ everyone loved—Rory leaping and writhing, his shocking canary-yellow suit a never-ending blur. The Hurricanes in matching sky-blue suits and ties, forever dipping and diving behind him. Rory whirling the microphone stand around his head. Rory trembling like he’d been electrocuted. Rory prancing. Rory dancing. Rory jumping. Rory strutting. Rory twisting. Rory twirling. Owning the stage, owning the night. Unstoppable. Unbeatable. Unsurpassable.

It was Battle of the Band – Liverpool-style

“Bloody hell, Sam, will you look at that,” shouted John Lennon. “He’s out to bloody bury us, he is.”

“Well, he always did in Hamburg…always does at ‘the Tower’,” George Harrison, piped in. “So, I can’t see as how our Rory would be any different, tonight, given even half a chance, like.”

“I bet the swine swipes all our best rock ‘n’ roll numbers, too,” moaned Paul. “We’ll just have to make up our song-list as we go. See what he leaves us. If he leaves us anything, that is.”

Sam Leach laughed. “Well, it’s a rockin’ good way to start off my engagement party, lads. Just you remember, all those punters out there are paying for all the food and booze you’ll be scoffing down, later.”

“Well, in that case, Sam,” sniffed John, narrowing his eyes. “We’ll just have to go blow all those Rory Storm clouds away, won’t we?”

Rory lit into ‘Be-Bop-A-Lula’.

“That’s my bloody song,” John exploded. “Gene Vincent’s and mine. I’ll do Rory, He knows that’s my favourite number.”

Summertime Blues

For the next hour, Rory Storm and The Hurricanes grabbed the best songs in the rock ‘n’ roll cupboard. He took Elvis’s Top Ten rockers and then stole Eddie Cochran’s very best songs, including Sam’s all-time favourite, ‘Summertime Blues’. Then he made off with Buddy Holly’s catchiest riffs, before reaching for Carl Perkins’ ‘Lend Me Your Comb’. He swiped ‘Cathy’s Clown’ and ‘Claudette’ from the Everly Brothers. Took ‘I Got A Woman’ from Ray Charles. Then turned up the gas even higher still with Jerry Lee Lewis’s ‘Great Balls of Fire’.

Everyone’s nerves and brains utterly rattled, he smiled his million-watt smile, pointed to each Hurricane, in turn, smiled at the crowd, combed his curly golden locks with his giant plastic comb for one last time. He did the splits, rebounded, stood to attention, bowed from the waist, swivelled his pelvis, spun round and around and was gone.

“Sweet Lord,” muttered George. “We have to follow that?”

“What with?” Paul sighed.

“Let’s bloody hit them with ‘Johnny B Goode’,” snarled John.

“Righto, Johnno,” shouted Paul. “I’ll blow their ear drums to smithereens with me Hofner bass.” He turned to the other Beatles. “Pete. You hit them with your ‘atomic’ beat. And George?”

“Yeah, Pauly?”

“Go ring that bloody bell, why don’t yer.”

The Beatles at the Cavern
The Beatles at the Cavern

John strode onto the stage and grabbed hold of the mike. “This is a number by Chuck Berry…a Liverpool-born school-teacher with bad teeth and no humour.” George hit straight into the opening riff and he and his fellow Beatles lit into ‘School Day’, as if possessed. And for the next hour-and-a-half The Beatles kept up a blistering pace, not letting up for an instant. They followed their opening number with even more of Chuck Berry’s best.

“Long Tall Sally”

Then ripped through Little Richard’s repertoire with Paul taking the lead on ‘Long Tall Sally’, ‘Tutti-Frutti’, and ‘Kansas City’. John kept things spinning with Larry William’s ‘Dizzy, Miss Lizzy’ and Carl Perkins’ ‘Honey Don’t’. George took a turn with Tommy Roe’s ‘Sheila’, Bobby Vee’s ‘Take Good Care of My Baby’, and The Coasters’ ‘Youngblood’.

You Really Got A Hold On Me

To give his band-mates’ voices a break, Pete opened up Carl Perkins’ ‘Matchbox’ and followed that with The Shirelles’ hit ‘Boys’. Paul went ‘Searchin’ for The Coasters again. John gave people another hit of Arthur Alexander’s ‘A Shot of Rhythm and Blues’, reintroduced them to ‘Anna’, before grabbing everyone by the throat with Smokey Robinson’s ‘You Really Got a Hold on Me’. Then he capped everything off with Barrett Strong’s ‘Money’. After which, the place exploded into one long roar of cheers, whistling, stamping, and thunderous applause.

Sam Leach

Sam Leach ran onto the stage, as wrung-out as if he’d been up there playing the music himself. He clapped, cheered, took hold of the microphone, and waved everyone to silence. “Blimey O’Riley! I’ve never seen or heard anything as spectacular as what happened here at tonight’s ‘Battle of the Bands’ and I doubt if any of us will ever see the likes of it again, however long we live.” Everyone clapped and cheered for their favourite band. Sam patted the air with his hands—waited for all the noise to die down. “So listen…what can I say? There can be no winners tonight other than all of you and me…and all of Liverpool…for being home to such fabulous entertainers as…Rory Storm and The Hurricanes! And The Beatles!”

Ray Charles

He turned, applauded both bands again, asked the audience to show their appreciation again, and then left the stage. The hall exploded into another riot of clapping, stamping, cheering, and whistling. After it showed no sign of abating, Sam ran back on, took up the microphone and held it between his hands as if in prayer. “What do you say, fellas? Ray Charles’ ‘What’d I Say?’ to bring the night to a proper close? Send everyone off home, drained but deliriously happy?”

Sam spun round and cocked his head and raised his eyebrows—in mute question—and the three hundred or so beat fans roared, cheered and stamped their feet in response. John Lennon and Rory Storm glanced at one another, nodded. The two drummers settled back behind their drum kits. Guitars got re-plugged into amplifiers. And the two bands came together as one. Then Rory and John and Paul took turns in stretching their final song’s call and response to its very limits. And for a good twenty minutes or more Knotty Ash Village Hall rocked on its very foundations and Sam Leach’s ‘St. Patrick’s Night Rock Gala’ rolled into local legend as the one night of rock ‘n’ roll no beat fan alive should ever have missed.

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9 DECEMBER 1961 THE BEATLES DISASTROUS FIRST EVER “LONDON” GIG IN ALDERSHOT

The Beatles in Aldershot
The Beatles in Aldershot

The Beatles played in Aldershot on 9th December 1961. Tony Broadbent takes a look at the momentous day that would end Sam Leach’s hopes of becoming Beatles manager, and convince John, Paul, George and Pete that Brian Epstein was the right man for the job.

THE PALAIS BALLROOM, ALDERSHOT

SAM LEACH thought quick and hard. When in doubt do something, anything. “I tell you what lads, never say die, we’ll drive round the town, pin up posters on every hoarding or telegraph pole we see. That done, we’ll drop off your instruments and equipment at the Palais Ballroom, then I’ll take everyone for a quick bite to eat at the little cafe opposite. How’s that sound?”

For once, The Beatles were stone cold silent.

After grabbing something to eat, they all split up and scoured the town for prospective punters. Handing out handbills to everyone they met. They visited every pub and coffee bar and dropped word about the fabulous group playing that night, at the Palais. But the good people of Aldershot weren’t interested, even when, in utter desperation, Sam played his final card and told any and every one that’d listen that admission was free.

“Aldershot’s not ready for rock ‘n’ roll or The Beatles,” Sam said, dejectedly, lighting up another cigarette.

“Aldershot’s so crap, they’re not even ready for inside bloody toilets,” snapped John. “But as we’re already bloody here, let’s all just sod off down to Soho, in London, and get ourselves royally pissed.”

“Hey, come on, John,” pleaded Paul. “We’ve got to give it a try, even if we only play for five minutes. Eh, oop, kid, what do you say?”

“No, they can all go and get buggered…the dozy sods.”

Paul McCartney Started to Sing

Paul put his head on one side and started to sing ‘There’s no business like show business’. He smiled inanely and waved his hands in the air as if they were tambourines. “Hey, come on, John.” He kicked a foot out like a Kentucky minstrel and started prancing up the street. “Hey, Johnny, you know the show’s always gotta go on.”

“Ah, sod it,” snapped John. “Where the fook are we going to, fellas?”

“To the top, Johnny,” they all chorused back.

“And which fookin’ top is that, fellas?”

“To the top of the fookin’ poppermost, Johnny,” they all yelled.

“Okay, fellow Beatles, we fookin’ well play. The show goes on.”

Everyone cheered then, even Dave, Sam’s driver.

Sam Opened The Doors and……..

Sam opened the doors of the Palais Ballroom at half-past seven on the dot, as advertised, but the only thing he was met with was a face-full of swirling snowflakes. He closed the door quickly. “God’s holy trousers, whatever did I do in my past life to deserve this?” He shook his head. “No business, like no business? Sod that, let’s have a ball, anyway.” He sauntered into the ballroom. “They’ll all be along in a minute, lads, so why don’t you get started. Just think of it being like your early days in Hamburg. You know, those times you told me about, when it was the sound of your music alone that had to grab the punters by the scruff of the neck and drag ‘em in, off the street. What was it called, now? The Punjabi?”

“No!” The Beatles all shouted back. “The fookin’ Indra.”

“That’s what I meant,” said Sam. “Do some fookin’ Indra. If anything will bring the buggers in, it’ll be a bit of that.”

“Yeah,” sniffed George. “Mach some more bloody schau.”

Mach schau! Mach schau!” yelled John into the microphone.

Pete, Count us in!

“Okay,” shouted Paul, vamping a run of notes on his bass. “Pete, count us in.” Pete hit his sticks together. Tik-a-Tik-a-Tik-a-Tik-a. Paul hit a single bass note and launched straight into ‘Long Tall Sally’. That done, fully energised by the music, The Beatles shot themselves full of rhythm-and-blues and ripped it up and rocked it up for three finger-blistering, pick-scraping hours. They pounded out the beat as if they were playing ‘the Tower’ in front of four thousand screaming fans, not the eighteen or so people dancing and jiving at the Palais Ballroom. And Sam, Terry, Spike, and the van driver, Dave, could do nothing but lose themselves in the magic of it all. Swinging and swaying, clapping their hands, popping their fingers, and tapping their feet to the relentless rockin’ Mersey beat.

Money

And then with John’s final scream that all he ever wanted from life was ‘Money’, The Beatles rolled up the night with one last long chiming chord. Everyone clapped and cheered, jumped up and down, and shouted for more. And all four Beatles up on the stage, their hearts thumping in their chests, sweat pouring from them, looked out from under the spell they’d just cast and saw that as tiny as the crowd was, the cry for more was as urgent and as heartfelt as any audience they’d ever played to.

John sighed and nodded at Paul. Paul nodded at George. Paul, his voice hoarse, whispered, “Roll Over Beethoven.” John, George and Pete each nodded back. George picked out the opening notes of the Chuck Berry rocker, each note as sharp and bright as the glass in the mirror ball hanging from the ceiling. The girls spun. The boys jived. And The Beatles rocked it, two by two, for ten glorious minutes and everyone dug to the rhythm-and-blues until ‘Liverpool’s Number One Rock Outfit’ brought their first rocking visit to the south to a close.

Roll over Aldershot and go tell London the news.

Sam stood at the foot of the stage, beaming. “That, fellas, was bloody marvellous. You did yourselves and all of Liverpool proud. So, what say, we celebrate? I’ve asked the local judies if they’d like to stay on for a bit and, believe it or not, they all said yes. I wonder why? So I had our Spike go and get in two crates of Watneys Brown Ale and a box of Smith’s crisps from the pub over the road. So, if you’re up for it, like, I’ll go crank up the record player, put on a swinging platter or two, and we can all have ourselves a proper party.”

John didn’t bother looking at Paul or George. He already had his eye fixed on something blonde standing in the middle of the dance floor. “Oooh, yes, please, Mr Sam, I could do with a bit o’ hanky-panky about now. I need to exercise me evil ways.”

Dancing with The Girls

They all took turns dancing with the girls, everyone doing their version of The Twist. John, impatient for his next turn at dancing waltzed with George, then Paul. Pete sat that one out. They played ‘Bingo’ using beer bottle-tops as counters. Played football with Ping-Pong balls. The rest of the time they just played the fool. John, his back hunched, his face distorted, staggering around the ballroom yelling, “The bells. The bells. It’s the bells.”

Sam handed Spike a camera. “Here, Spike, take some more photographs. I want to remember this. They’re certifiable, the lot of them.”

“Yeah,” said Spike, “certifiably brilliant.”

There was a sudden loud hammering on the front door.

“Come on in, if you’re coming,” shouted Paul.

“Bugger off!” yelled John.

Police!

Terry went to investigate and quickly reappeared, his arms waving from side to side, in a frenzied hand-jive.  He snatched the needle arm from off the turntable, spun round, and mouthed the word, “Police.”

The effect was instantaneous. John began giggling and was soon doubled up with laughter. Paul sniggered. George grinned. Pete bit his lip. Sam, madly signalling for quiet, bounced his hands up and down in front of him as if trying to push the sound to the floor, but it did no good, the giggling and laughter just grew louder, as did the knocking.

Sam sighed, burped, belched; went to deal with ‘the bizzies’.

“What the bloody hell do you think you’re doing?” yelled an authoritative voice. “Do you know what bloody time, it is?”

Sam peered out into the gloom. In the pale yellow light of the street lamps were four police vans, two police motorbikes, a mounted policeman, and a very big, sour-faced police sergeant.

“Er, um, we were just finishing, like, constable.”

“And about bloody time, too. It’s gone bloody midnight. And you lot are creating a very serious disturbance of the peace.”

Sam blinked and blinked and tried desperately to sober up. “Er, we, er, were just going, officer.”

Get Out of Aldershot!

“Now, wouldn’t be soon enough,” barked the police sergeant. “You bloody shower have got fifteen minutes to get out of Aldershot, do you hear me? On yer bikes, the lot of you, and don’t you ever come back.”

“You and Aldershot can fook off, too,” George muttered under his breath. “Never would be far too soon for us ever to come back here.”

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The Beatles Play in Aldershot – 9th December 1961

The Beatles in Aldershot
The Beatles in Aldershot
The Beatles in Aldershot

From Debbie Greenberg’s book:

However, Brian Epstein was not the first candidate for the position of Beatles manager. A Liverpool-based promoter called Sam Leach, who regularly organised dances and live shows in local venues, frequently hired the Beatles. As he was giving them regular work and they were all very good friends, he suggested he should become their manager.

The group agreed and on the strength of a handshake with John Lennon, the group’s leader, he thought he’d secured the position as their first manager.

The Beatles Play Aldershot

Sam Leach, George Harrison, John Lennon and Dick Matthews
Sam Leach, George Harrison, John Lennon and Dick Matthews

On the 9th December 1961 Sam booked the Palais Ballroom in Aldershot, about forty miles outside London. He paid for a full-page ad in the Aldershot News and expected a good turnout for the gig. However, he had paid by cheque and the newspaper would not insert the ad until the cheque had cleared.

The cheque didn’t clear in time and on that night only 18 people turned up to see the Beatles.

George Harrison and John Lennon dancing together
George Harrison and John Lennon dancing together

After the hiccup at Aldershot everything was going very well for a few weeks until Brian Epstein stepped into the frame. The Beatles, ever eager to climb the ladder of success, were tempted by Brian’s obvious wealth and promises of fame and fortune. With a heavy heart John Lennon had to break the news to Sam that they had signed with “Eppy”.  

Cavern Club: The Inside Story

Find our more about Beatles history in Debbie’s great book – ON SALE NOW!