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The Beatles meet with Brian Epstein: Part 2

Brian Epstein in NEMS
Brian Epstein in NEMS
Brian Epstein in NEMS

6 DECEMBER 1961: THE BEATLES MEET WITH BRIAN EPSTEIN AT NEMS

Part 1 The Beatles First Meeting with Brian Epstein

After their first meeting with Brian Epstein, John Lennon, Paul McCartney, George Harrison and Pete Best had a follow up meeting at Brian’s NEMS office in Whitechapel, Liverpool. Tony Broadbent takes up the story from his book, The One After 9:09:

“I tell you, the door’s bloody well locked.”

“That’s because it’s half-day closing, dafty.”

“Well knock on it, then.”

“You knock, you’re nearest.”

“Pete, you do it.”

“Me hands are full.”

“Well, use yer head, then.”

“We could always use Bob as a battering ram, if we had to.”

“We already are,” growled John Lennon.

This Is Me Dad

He opened the door and smiled a greeting as all four Beatles tried to push through as one. “This is me Dad,” John said, pointing over his shoulder to the small dapper figure of Bob Wooler. The absurdity of it perplexed him for a moment. He’d fully expected the Beatles to come by themselves, his simple hope they’d all arrive together and on time. Now here they were with a stranger of sorts in tow and everyone smelling very strongly of beer. It was all suddenly so very awkward. The Cavern’s disc jockey smiled at him, apologetically.

He knew very well who Bob Wooler was. And in many ways had every reason to be grateful to the man, as the DJ had been largely responsible for creating local demand for The Beatles’ recording of ‘My Bonnie’. So once he’d managed to get everybody sat down in his office, upstairs, he took Bob Wooler as his cue.

Bob Wooler

“Thanks to Mr Wooler’s constant featuring of ‘My Bonnie’ in clubs and dancehalls around Liverpool, NEMS has sold over a hundred copies of your Polydor recording in the last week and a half, alone. Further, to which, I’ve already met with the London representatives of Deutsche Grammophon, the owners of the Polydor label, to ask them to release your record in the United Kingdom.”

It was a good opening verse, but The Beatles were impatient to get to the chorus. That’s why they’d brought Bob Wooler along. They liked and respected the DJ, because they knew he liked them and championed their music. He was also an adult, like Brian Epstein, and they wanted his opinion, because as eager as they were for business guidance, they were still very cagey about it all. When they’d all met up in the Grapes, prior to their appointment at NEMS, John Lennon had been his usual blunt self.

All Mouth and No Trousers?

“This Epstein fella has no experience with rock ‘n’ roll other than selling pop records from his shops. From the look of him, he’s probably more into Mantovani and his bloody Orchestra or, worse, bloody opera. So, the question is, Bob, as much as we need help, like, is this Epstein ever going to amount to anything? Or do you reckon he’s all mouth and no trousers?”

As ever, Bob Wooler played it cautious and said he’d best hold his counsel until later. It was always the wiser course to rehearse your ad-libs before you ever gave voice to them, off the cuff, so to speak.

BRIAN EPSTEIN looked at each Beatle, in turn. “You don’t currently have a manager, do you?” They slowly shook their heads. “So, I take it then,” he added, cautiously, “that there’s no one that negotiates your fees or that deals with your engagements on a regular basis?”

We Don’t Have A Proper Manager

They shook their heads. After a lengthy silence, Bob Wooler made as if to speak, but it was Paul McCartney that spoke up. “As I said, last time, Brian, Pete sorts out our diary of engagements, usually. Helped of course by his mum, Mona. She owns the Casbah Club, like. But other than that, no, we don’t have a proper manager. So we generally take whatever we can get.”

“Yes, I see,” said Brian Epstein.

“We take anything and everything we can get our bloody hands on, okay?” snapped John. “But we get lots of bloody work and we don’t have to go bloody begging for it, either, if that’s what you think.”

“No, no, John, I’m not inferring anything. It’s only that whatever you’re getting from people, I think you’re worth much, much more. And I think that all the promoters around Liverpool know that. That’s why you’re always in work, but really going nowhere at all.”

A Dead End?

The silence this time was like a blanket of fog. The truth of Brian Epstein’s words hit hard, even though The Beatles had talked of little else for weeks. They were working harder and harder and becoming more and more popular every time they played, but were really just going round and round the same old circles. John, Paul, and George all shared a growing dread that, as big as The Beatles were around Merseyside, there was a very real danger that a proper recording contract, let alone greater fame and fortune, might elude them forever. Liverpool had very quickly and surprisingly turned into a dead end. And for once, drained of all their colourful banter, The Beatles stared back at the man who’d suddenly shone a bright light onto their deepest and darkest fear.

Brian Epstein smiled, almost bashfully. “As I told you, last Sunday, I don’t have much experience in these sort of things, but I’d very much like to look after your affairs.” He swallowed. “To put it simply, you do need a manager. The question is would you like me to do it?”

The Beatles Sat Still

The Beatles sat as still as statues and just stared at him. He resisted the temptation to shoot his cuffs and instead re-read the points he’d written down on his notepad. He looked up. “If you did want me to manage you, I’d require fifteen per cent of your gross fees, on a weekly basis. In return, I would assume responsibility for arranging all of your bookings, which, let me stress, would be much better organised, far more prestigious, and would take you much further afield than all the venues you play here in Liverpool.

I would also make it a point that you would never again play a date for less than £15, except for your Cavern lunchtime sessions, where I will renegotiate your current fee of £5, so that it’s doubled to £10. With the number of people you attract to the club regularly, Ray McFall can more than afford it. Further, I will do my best to extricate you from the recording contract you signed with Mr Bert Kaempfert, in Hamburg. After which, I’ll use my influence as one of the largest record retailers in the north-west to get you a proper recording contract with a major British recording company.”

Would You Like Me To Manage You?

He looked down, aligned his notepad with the edge of the leather-bound blotting pad and carefully and deliberately placed his hands flat on the desk. Summoning up all his theatrical training, he composed his face into one of quiet confidence. “So, would you like me to manage you?” He looked at each Beatle, in turn, again, purposefully ignoring the ripples and currents in the silence.

John’s eyes slid sideways and he wrinkled his nose. Paul and George both coughed so as to conceal the slight nod of their heads. Only Pete Best held Brian Epstein’s gaze without regard to how his band-mates felt. This would dramatically change his role in the group and he wondered what his mother would think about it. After all, as she’d so often told him, it was really his group, wasn’t it? Pete Best and The Beatles. He was the one the girls always screamed and shouted for. Everyone said so.

Bob Wooler did his best to fade further into the background. After all, he’d often been one of those greedy Liverpool promoters Brian Epstein had just spoken about. It was time to keep a very still tongue.

You Manage Us!

John’s voice suddenly boomed out like a foghorn. “Right, then, Brian, you manage us. Where’s the contract? On yer desk, is it? Give it us, here, then, and I’ll sign it now.”

“I don’t have a contract for you to sign, John, because I didn’t want you to think I was being presumptuous. However, I promise, I’ll have one drawn up by the next time we meet.”

“Will it make a difference to what we play, Brian?” Paul asked.

“No, Paul, not at all. I just want to help present you in the very best light possible, ensure you’re always paid what you’re worth, and given the proper respect that is your due.”

This was the sort of stuff they wanted to hear. The Beatles nodded. At least three of them did. And so did Bob Wooler.

Bob Wooler was deep in thought. Even he’d underestimated the manager of NEMS. Brian Epstein’s timing had been impeccable. If he’d had the courage or the vision or the money, he might’ve had a go at managing The Beatles himself. As it was, he had enough on his plate tending to his turntable, his ever-expanding record collection, and arranging for groups to play at the Cavern and elsewhere. One thing he knew for sure, though, this latest development would put a good few Liverpool noses out of joint.

George Harrison scratched his nose, absentmindedly. “I think I better go now, go relax in a bubble bath. I need to ponder what the word ‘presumptuous’ means when it’s at home.”

Discover more about this important time in Beatles history in Tony’s great book, The One After 9:09

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The Beatles First meeting with Brian Epstein: 3rd December 1961

Brian Epstein
Beatles Manager Brian Epstein
Beatles Manager Brian Epstein

Brian Epstein: After The Cavern

After having seen The Beatles at The Cavern, Brian Epstein had decided to become The Beatles’ manager. However, he had to convince them first. He summoned them to his office at NEMS and he was about to meet the group, but it wouldn’t go smoothly. Tony Broadbent, in an excerpt from his book, The One After 9:09, looks at this historic meeting.

The Beatles were coming to see him. Brian Epstein adjusted his tie for the umpteenth time and tried to stay calm. Over the last four weeks he’d seen ‘the boys’ perform many times at the Cavern. Had made a point of chatting to them on each and every occasion. Today was to be the first sit-down meeting at his office. He tried to work, but found himself fidgeting with excitement. So he went downstairs, into the store, aimlessly straightened a few things, then stood and looked out at a deserted Whitechapel.

There was little foot traffic, but that was quite normal for an overcast Sunday afternoon. He did notice, though, that what passers-by there were stopped to admire the store’s window-display, which was all very gratifying and a small thing, perhaps, but his own. Brian was shopkeeper enough to hope the interest shown would translate into Christmas sales. He consulted his wristwatch, winced, cleared his throat, shot his cuffs, blinked, and adjusted his tie again.

He’d toyed with the idea of wearing an open-necked shirt, silk cravat, and tweed sports-coat. All perfectly acceptable weekend wear. But as this could well be the beginning of a formal relationship with the group, he’d opted for workday business attire. It always paid to make the right impression. He looked at his watch again. They were now very late. He began to colour at the thought they might not come, at all, but as the flat grey December light slowly began to fade and the store darkened around him, he could do nothing but wait—and wait.

“Hey ‘oop? Is anyone in there? Mister Epstein, sir? It’s us.”

The Fab Three?

The banging on the store’s front door awoke him from his reverie and he quickly went to unlock it. There were only three Beatles standing there. He tried not to look too surprised.

“Hello. Thank you for coming. Let’s go up to my office, shall we? I see Paul isn’t with you. He’s not ill or anything, is he?”

“No, he’ll be along in a minute, Mr Epstein, sir,” replied John Lennon. “He probably just forgot to wind his watch.” The other two Beatles nodded in agreement.

Where is Paul?

He nodded, and led the way upstairs, but even after half-an-hour of strained conversation there was still no sign of Paul McCartney. He tried to still his growing frustration and the creeping sense of dread his dream was already stillborn. Almost at his wit’s end, he turned to the Beatle sitting nearest the door. “George, I wonder if you’d give Paul a ring…find out why he’s so late. I’d hate to think it was something serious. You can use the phone in the outer office.” The youngest Beatle raised his eyebrows in mock surprise, nodded, and left the room.

He smiled a thin-lipped smile at John Lennon and Pete Best, then turned and looked out of the window at the darkening Liverpool night. John pulled a face and retreated behind a handy copy of Mersey Beat. Pete did the same. And after more moments of pained silence, broken only by the murmuring from the outer office and the rustle of John’s newspaper, George came back into the room. He gently closed the door behind him, turned, and said, very calmly, “Paul’s just got up from having a nap. And he says he’s now going to have a bath.”

Very, Very Late!

Brian Epstein was incredulous. “But this…this is disgraceful behaviour. It means he’s going to be very, very late arriving.”

George nodded. “He’ll be very clean, though, won’t he?” he said, eyes twinkling, a slow smile twisting into a lopsided toothy grin. John sniggered behind the now shaking pages of Mersey Beat. Pete turned away; bit his lip. Brian Epstein blinked and blinked and blinked and suddenly his irritation completely dissolved and he started to laugh, not realising he’d just taken his first real step into the strange new world of Beatles.

When Paul finally arrived, more than an hour later, Brian Epstein was already manager enough to realise a change of scenery was called for and he suggested they all decamp to a local milk bar. Once he’d paid for everyone’s coffee and biscuits, there was little time left to beat about the bush. “Look, I don’t really know too much about managing a group, such as yours, but with all the contacts I have with the major record companies, in London, I feel certain I can help you and be of real assistance in your future endeavours. And, if you were prepared to go along with me and give me a chance, I feel sure we can do something really special together.”

London

The four Beatles listened intently to what Brian Epstein had to say. They appreciated his candour regarding his experience or, rather, the lack of it. They were already very wary of people who tooted their own horns too much. What really got to them was the magic word ‘London’. That’s where the real pot of gold was to be found—a recording contract with a major record label. It was, also, the very first time anyone had ever seriously asked about managing them. They’d be the first to admit they needed proper guidance if they were ever to achieve any real success. Still, they didn’t want to be rushed into anything, by anybody, however honest and charming they might seem.

When Brian Epstein had finished, John glanced at Paul, George and Pete, then back at their would-be manager. “Well, that’s all very nice, Mr Epstein, sir. We’ve all enjoyed the coffee and bikkies, and we definitely appreciate your interest in us. But you’ve given us a lot to chew over for one night. Plus, we’ve got to go play the Casbah Club, over in West Derby, before bedtime. So if it’s alright with you, like, we’ll just sleep on it.”

“Of course, of course. I mean, I wasn’t suggesting anything be resolved tonight.” He stood up, his hands open, his heart on his sleeve. “Thank you for hearing me out. And in closing, may I say once again how very special I think you all are, as individuals, and as a group.”

We’ll Think About it

Paul nodded, smiled, and held out his hand. “Thank you, for your interest, Mr Epstein. We’ll definitely think about it.”

He grasped the opportunity. “Then perhaps we could all meet later in the week to discuss any further questions you might have?”

Paul glanced at John, who nodded back.

“Yeah, okay then, Mr Epstein. Later this week, it is.”

“Would Wednesday afternoon be too soon? Only it’s half-day, early closing at the store, and you’re booked to play the Cavern that evening, so you could come over before that, couldn’t you?”

He knew their schedule. That was flattering. It said a lot.

“We could,” George drawled, “once we’ve all taken a bath, like.”

Get Tony’s fascinating book, The One After 9:09 here

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The Beatles Get Back: Do We Owe An Apology?

The Beatles Get Back
The Beatles Rooftop Concert
The Beatles Rooftop Concert

Let It Be?

With all of the publicity surrounding the “new” Beatles Get Back film directed by Peter Jackson, I have had countless conversations about the new film. The anticipation is at almost fever pitch as the trailers we have seen look incredible.

It made me decide to back and watch the original “Let It Be” film that was directed by Michael Lindsay-Hogg. It has been years since I last watched it and through all the discussions over those years, one theme seems to permeate through everything: we were watching The Beatles fall apart. But were we?

Paul and George Argue

The most famous element was always the argument between Paul and George, where George tells Paul that he will play whatever Paul wants him to, or he just wouldn’t play. Fans also refer to Yoko being permanently at John’s side, which she was.

But was it a negative film? Is it too painful to watch?

I have to admit that I thoroughly enjoyed watching it again, and it was filled with lots of fun scenes where you could see all four of them enjoying what they were doing, especially when they break out into funny arrangements, or the silly voices come out, like in “Besame Mucho”. But, it wasn’t the dark, depressing film that I seemed to think it was.

The Beatles Rooftop Concert

Then of course, we end with that incredible rooftop concert. How Lindsay-Hogg and his team were able to capture that is incredible, with the limited technology and space available. Plus, when you see them performing, I think they were recapturing memories of playing to crowds, which they hadn’t done since August 1966. The Beatles were enjoying themselves and it still such an iconic film.

Apology Needed?

We know Peter Jackson’s 6 hour special series is going to be superb, and it will have been worth the wait. However, I believe we also owe an apology and debt of thanks to Michael Lindsay-Hogg who has probably had a lot of negativity surrounding the film he made. He did a great job with what he had to work with.

Let It Be or Get Back?

Yes.

Enjoy the original, but I can’t wait for the new one too.

David Bedford

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Remembering George Harrison with The Beatles Era

With The Beatles
With The Beatle
With The Beatles

The Beatles Era

As we come to remember George Harrison 20 years after he died, Peter Eijgenhuijsen looks at the cover to With The Beatles.

A friend of mine, a hard-core Beatles fan, came up with the idea of The Beatles Era when George died in 2001, this month twenty years ago. My friend was on a business trip to the United States, when he saw, in one of the offices he visited, a newspaper clipping on the wall. It showed just a picture of the cover of their second album With the Beatles with the left side made black. Only Paul and Ringo were looking at him, with serious faces, as if they were aware of their inevitable erasure.

It was then, that he realized that we were entering a new phase, that nothing would be the same ever again. It was then that he got the inspiration for his theory that we all live in The Beatles Era. An Era that can be divided in five periods: Before the Beatles, The Beatles Years, The Solo Years, The Reduced Solo Years, the period we currently live in, and the last and fifth period After the Beatles.

Everything Has a Meaning

One day, when I visited him, he showed me the impact of that moment with the album cover of With the Beatles. It was scary. The black and white picture, with from left to right John, George, Paul, and Ringo. When I covered the left side to get the effect of the newspaper picture, I understood that the effect must have been very powerful. “Of course,” my friend said, “we do not know how the period The Reduced Solo Years will end, but the order of the individual Beatles on the album cover does not look insignificant to me.” “Everything on the cover of Beatles albums, has a meaning,” I said. “Intentionally or unintentionally.”

Inspired by this story, I used the theory of The Beatles EraA Quest for the Secret of The Beatles to unravel the secret of the Beatles.

Peter Eijgenhuijsen

Get Peter’s book, The Beatles Era now

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10th November 1961: The Beatles at Operation Big Beat (Part 1)

The Beatles at Operation Big Beat
The Beatles at Operation Big Beat
The Beatles at Operation Big Beat

The Tower Ballroom, New Brighton

The Beatles appeared at Operation Big Beat, the most impressive line up of Merseybeat bands ever! Tony Broadbent adds the drama to this incredible event.

The dense blanket of fog had come up river late that afternoon. No one had expected it. Not even the weatherman on the telly the night before. First report of it was on the midday shipping forecast on the radio. And by mid-afternoon tongues of fog had already moved across Liverpool Bay and were licking hungrily at Wallasey, Bootle, and Crosby. By teatime, both banks of the river and ‘the Tower’, at New Brighton, were shrouded in a grey-green fog the colour of the Mersey.

All of Liverpool was completely fogbound.

“What the bloody hell did I do in my past life to deserve this?”

“Don’t know, Sam, but it must’ve been something pretty bad.”

“Bloody hell, Terry, will you look at that bloody fog.”

“Well, I would, like, if I could see anything.”

“Alright, smart arse, back inside the Grapes. This calls for some serious drinking. I’m ruined I am, bloody ruined. What time is it?”

The Beatles will Get Through

Sam Leach (right) with Paul McCartney and Pete Best
Sam Leach (right) with Paul McCartney and Pete Best

Spike glanced at his watch. “Five past, Sam. But no need to worry, I’m sure The Beatles will get through.”

“I don’t doubt it, Spike, especially with that mad sod, Nelly, driving. No, it’s the fans I’m worrying about. What with all the ferries being stopped and most of the busses not running, how in hell they’re going to get themselves there, I don’t know. You couldn’t find the bloody Tower in this fog, even if it fell on top of you. We’ll be bloody lucky if we can find it ourselves. The real sod of it is, though, ticket sales have been much less than I’d hoped. You’d think the kids had given up on rock ‘n’ roll.”

“Maybe for one night, Sam. But not in our lifetimes, they won’t.”

“Thank you, Sigmund Freud. What time is it?”

“Quarter past. What time did Neil say he’d have them here?”

“Half-past. But in this pea-souper, who the heck knows?”

Terry McCann arrived with a tray of drinks. “Look on the bright side, Sam. Just imagine The Beatles and Gerry and Rory all playing their hearts out at ‘the Tower’ just for us. Cheers.”

“I tell you, I’m ruined I am, totally bloody ruined. Cheers. Talking of which, what time is it?”

“Nigh on half past, Sam. Stop yer worrying.”

“That’s all very well for you to say, sunshine, but…”

Neil Aspinall’s Battered Bedford Van

A car-horn beeped a tattoo outside in the street and eyebrows shot up in question and hope. Spike was already at the pub door. “It’s them. All aboard the New Brighton ferry!” They downed their drinks in a rush, piled out of the Grapes, and into the back of Neil Aspinall’s battered Bedford van.

“ ‘Lo Sam. ‘Lo fellas,” chorused Neil and The Beatles.

“Get yer arses in quick or we’ll all catch our deaths,” shouted John Lennon.

“All arses aboard and accounted for, sir,” yelled Sam. “Hey, thanks for turning up, lads. At least tonight won’t be a complete bloody loss.”

“Well, wherever it is we’re going,” groaned Neil, “I’ll see if I can get us there by the middle of next week. Everyone hold on tight.”

“Next stop, the Mersey Tunnel,” shouted George.

We’ll Play For Nothing

After a few minutes of hurtling through the streets of Liverpool at five miles per hour, Paul McCartney turned to Sam and said, quietly, “Look, Sam, we were talking, like, on the way to pick you up. If this bad weather hits you hard tonight, we’ll play for nothing, okay?” Sam turned to John and George who both nodded their agreement. Pete, sitting up front, holding his snare drum on his lap, gave a thumbs-up. Sam coughed and nodded his thanks, his eyes a little glassy. Terry and Spike huddled by the back doors kept their thoughts to themselves.

When the old Bedford van at last entered the approach to the Mersey Tunnel, George yelled out again. “There it is, fellas. You can just make out the Hessy’s sign on the side of the building.”

“Oooh, Hessy’s,” yodelled John and Paul in Goon-like voices.

“Ready?” shouted John, “Hessy’s Musical Instruments and¼?”

“Ra-di-o!” The Beatles all yelled as Neil tapped out the beat on the car-horn. Then they all clapped and cheered.

“We do that every time we pass that sign,” explained Paul.

“It’s our way of wishing for the day we hear one of our own songs actually played on the radio,” added George.

Where Are We Going Fellas?

“Where we going to, fellas?” John shouted.

“To the top Johnny,” the other three Beatles chorused.

“And which top, is that, fellas?”

“To the topper-most of the popper-most,” they yelled in unison as the van rattled on through the Mersey Tunnel.

“We best start by topping the bill at ‘the Tower’, then,” John shouted back. “How much bloody higher can you get than that?”

“You guys could make it all the way to the moon, if you wanted to,” Sam said, the lump still in his throat. “Thanks, lads. I won’t forget this. Not ever.”

“Hey, shurrup will you, Sam. And start soddin’ praying, instead. We’ve got to get to the bloody place in one piece, yet.”

“Righto,” yelled Sam. “Our Lennon, who art in heaven…”

PART 2 HERE

Find out more in Tony Broadbent’s great book:

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9th November 1961 (Part 2): Brian Epstein sees The Beatles at The Cavern

Brian Epstein at The Cavern
Brian Epstein at The Cavern
Brian Epstein at The Cavern

Watching The Beatles Perform “My Bonnie”

Debbie Greenberg never missed a Beatles gig at The Cavern and she has some amazing memories. One of the most important Cavern appearances was when Brian Epstein came to see The Beatles for the first time.

“The Beatles had played a few numbers with Tony Sheridan in Hamburg, including “Ain’t She Sweet”, but the one that sticks in my memory is “My Bonnie”. When The Beatles played these songs at the Cavern they were absolutely brilliant. I think Tony had a big influence on how The Beatles dressed and moved. John Lennon copied Tony’s posture, holding his guitar high up on his chest.

“Tony was very talented but by all accounts a force to be reckoned with. His mood could change in an instant. It must have been difficult to work with somebody so unpredictable. They had first met when both were playing for a season at the Top Ten Club in Hamburg. German band leader Bert Kaempfert had spotted them and arranged for them to cut a disc of “My Bonnie” together, which was released in Germany.

Raymond Jones

“News of this record filtered back to Liverpool and one fateful day, Saturday 28th October 1961, a Liverpool teenager called Raymond Jones went into NEMS record store to ask about the disc. Situated on Whitechapel, NEMS was just a stone’s throw from Mathew Street and the Cavern. The young store manager was Brian Epstein, who prided himself on being able to source any record that had been officially released. After hearing the track with its throbbing beat he was intrigued.

Brian asked his assistant, Alistair Taylor, to arrange a visit to the nearby Cavern to see The Beatles at one of the lunchtime sessions. He got there on 9th November 1961 with Alistair and saw The Beatles play for the first time.

Epstein was entranced by their performance – and by the Cavern, the place he later called a “cellar full of noise.”

A Handshake

However, Brian Epstein was not the first candidate for the position of Beatles manager. A Liverpool-based promoter called Sam Leach, who regularly organised dances and live shows in local venues, frequently hired the Beatles. As he was giving them regular work and they were all very good friends, he suggested he should become their manager.

The group agreed and on the strength of a handshake with John Lennon, the group’s leader, he thought he’d secured the position as their first manager.”

As we know, after seeing The Beatles, it was Brian Epstein who would become the group’s manager and take them to the toppermost of the poppermost.

Get Debbie’s book on the story of the Cavern Club.