Beatle fans were amazed at the music and dialog that was featured in the Peter Jackson Get Back project. This provided nearly 8 hours of wonderful music and dialogue which altered the perceptions of many concerning the group’s demise. Much of the audio that appears in the Get Back film was sourced from something called the Nagra Reels, used to source film shot with the respective audio that matched.
This book- THE BEATLES In The Studio With The Beatles – Nagra Tapes published in 2009 in both Dutch and English was written by author Dennis Dekker.
It is a 134-page hardback book and was edited by Henk-Jan Hoekjen and translated into English by Pien Steffes. Dekker was able to listen to the Nagra reels and was able to transcribe many of the conversations. Though he lacked the technical advances available to Peter Jackson, the book represents one of the first attempts to give a fuller picture of what actually transpired at the Get Back sessions. The Nagra reels story itself is fascinating to read about as apparently they were stolen from the Beatles and were discovered/recovered in a police raid held in the Netherlands in 2021.
What happened the day after The Beatles’ Ed Sullivan Show debut? All the young lads across America met their buddies at lunch and excitedly talked about learning to play guitar! Where could they learn chords? Where do they find such instruments? Coincidently, their own The Beatles Guitar was already in the works!
The Beatles Guitar
Mastro Industries manufactured five different Beatles guitars/ukuleles – plus variations and display models in the U.S. in the Sixties (the Selcol company produced seven other Beatles guitars in the U.K.) Also manufactured about this time was an unlicensed 5″ model made in Hong Kong
Beatle-ist – 30½”
Yeah Yeah – 22″
Four Pop – 21″
Beatles Jr. – 14¼”
Mini – 5½”
“In March of 1964, Maestro Industries, Inc. introduced the Beatles line at the Toy Show in New York. This line included four-string guitars, six-string guitars, plastic bongo drums, and plastic banjos. In 1965, the available line of plastic instruments included various guitars, ukuleles, wind instruments, and percussion instruments, and productions and introductions of new variations continued for a few years thereafter.” – French American Reeds, Inc. – History (2020).
The Beatle-ist Guitar
Mass-produced by Mastro in 1964, the ‘Beatle-ist’ plastic six-string guitar was pink and burgundy, 30½” long, and covered with the band’s faces, names, and autographs on the front of the body. The front of this version read “The BEATLES – Beatle-ist Guitar,” shrink-wrapped and packaged on a backing card with a pick, instruction booklet, and a strap. The instrument came with three colored nylon and three wound strings, labeled in Mastro’s catalog as “No. 340.” They were packaged six to a shipping box as a 21″ x32″ x12″ unit weighing 18 lbs. Mastro also produced another version in orange and burgundy. There was an advertised promo version “with highlighted faces,” but one hasn’t turned up yet.
Another guitar produced by Mastro was the ‘Yeah Yeah’ six-string guitar. It was red and burgundy, 22″ long, and came with the Beatles’ title, faces, and autographs on the body (their faces on the crown.) Earlier promotional versions had the faces printed “highlighted” on a white background. Initially sold shrink-wrapped to a sealed backing card with a pick and instruction booklet, the original retail price doubled that of the “Four Pop” ukulele. The instrument came with six nylon-colored strings and was labeled in Mastro’s catalog as “No. 330.” They were packaged twelve to a shipping box as a 17″ x16″ x24″ unit weighing 14 lbs.
Mastro Beatles Guitar
The Beatles Guitar/ Ukulele
Another design by Mastro was the ‘Four Pop’ four-string plastic guitar/ukulele. It was 21″ long with a red and pink body, three colored nylon strings, and one wound string. This version also came in orange and red. It had the band’s faces on the front and guitar head and autographs on the body, and it came shrink-wrapped on a backing board with a red toy pick, an instruction/songbook, and a strap with “Made in the U.S.A. Under License” printed in black. Some designs included “Four Pop” or “FOUR POP” written on the body. A scarce promo version of the ‘Four Pop’ guitar exists. It had a red body and a burgundy neck with Beatles images on the headstock. This design was sold in shops for a short period before they switched to the more familiar red body and pink neck style. The “Four Pop” was labeled in Mastro’s catalog as “No. 320″ and packaged twelve to a shipping box as a 16″ x16″ x23” unit weighing 14 lbs.
“We made so many ukuleles and the Ringo bongo drum. The ukulele had pictures of the Beatles’ four heads on the top. That period was something else. We sold so many instruments.” – Maria Maccaferri (The Ukulele Occasional)
The Junior Four-String
The ‘Junior’ four-string (3 colored nylon and one wound string) plastic guitar/ukulele was 14¼” in length. It came in three color combinations. One version was pink and burgundy, with another being orange and red (with a small and large graphic of Beatles pictured on the body and crown/head with a 9¾” scale). A third version was a red and maroon promotional display version.
The item had “Jr. Guitar” printed on the front, was packaged on a colorful sealed backing card/board, and included a pick and an instruction booklet/songbook with “Made in U.S.A. Under License” printed in black. There were two variations: the headshots were small, and the other headshots were more significant. The “Junior” was labeled in Mastro’s catalog as “No. 300″ and packaged twenty-four to a shipping box as a 16″ x11″ x16” unit weighing 26 lbs.
“Because of the plastic used [they had] developed a kind of partnership with Dow Chemicals in order to find the best “resonating” polystyrene. The best one they called “Styron.” All the ukes were made in Styron.” – Antoine Carolus (UkeHeidi)
Mastro Advert
Mastro also made “Pin-Up” guitar brooches. Each of these measured 5½” in length. These little plastic pink guitars (with two rubber bands as ‘strings’) were produced with a small hook in the back (lapel clip) for fans to wear as pins. Mastro made two slightly different versions, one with a blue silkscreen-type print and one with dark pink. They had Beatle faces and first-name autographs on the front. The display card for the pins measured 10”x10” and held 12 guitars. It also had a Beatle image on it. There were also some shipping boxes that you could transform/fold into a countertop display.
The NEMS Agreement
The NEMS agreement was with Selcol Products Limited, 114-116, Charing Cross Road, London, W. C. 2. The date of the agreement for the manufacturing license was December 16, 1963, for the ‘different types of guitars.’ Selcol then sub-licensed the guitars to Mastro in the U.S. for manufacturing. Selcol, in the U.K., was an associate company of The Selmer Company, which made plastic toys and garden furniture. In 1968, Selcol Plastics closed.
Find out more about this guitar and Beatles memorabilia in Terry’s excellent book:
NEMS and the Business of Selling Beatles Merchandise in the U.S. 1964-1966 (2ND EDITION)
The book covers the approximately 150 licensed items that dotted store shelves and helped fuel the band-crazed fan during the time right after the band landed in America and performed on The Ed Sullivan Show. Toys, games, dolls, jewelry, clothing, wigs, and more!
In 2012, a wonderful boxset of only 350 copies was issued of 5 large and beautiful Yellow Submarine full color prints along with a special book written by The Simpsons writer and producer, Josh Weinstein. Josh’s essay was entitled “Yellow Subversion.”
The ultimate paradox with sets like this is that their rarity makes them very special and valuable to the collector, yet often they are out of reach financially to others who may wish to enjoy them. This item is very large, and you certainly will not be able to store it on your bookshelf, but the enclosed prints would be wonderful to frame.
There were only 350 numbered copies of the black covered limited edition book which featured images of the Beatles 1964 tour taken by photographer Joe Allen and the book was edited by Mark Naboshek. The book was entitled “The Beatles Monochrome,” and was published in 2011 by Rufus Stone Publishers!
The book was presented in a black slipcase with 4 giclee color photoprints. The limited edition book came in a metal container as shown below. What is not commonly known is that Rufus Stone also published a limited edition version of the book that was bound in white leather and only 10 numbered copies were made of that version of the book. Below are my photos of copy #9 of this beautiful photography book which I recently acquired.
This Wilfrid Brambell book is the most difficult to find of the print works available concerning the late actor.
Wilfrid Brambell, who played Paul’s grandfather in “A Hard Day’s Night”, released this hardback autobiography back in 1976. Supposedly, Wilfrid refused to have an editor work on his book release and the reviews were terrible as a result of his decision. The book did not remain in the marketplace very long and is fairly obscure. The collector market for books that even have a remote connection to the Beatles story seems to still be on the upswing.
As a long-time Beatles book collector, I was startled to even learn of this book’s existence.
Wilfrid Brambell – Kindle Book
This is a kindle book release about Wilfrid released in 2016 and is 66 pages long. The author is Philip Glass.
Wilfrid Bramble – Unauthorised
The Authorised Wilfrid Brambell – New in 2022
This is the newest book about Mr. Brambell, by author David Clayton, published August 4, 2022 by The History Press.
Wilfrid Bramble – You Dirty Old Man!
For those of you who may have read all three, what are your thoughts on the books? Have a favorite?
Ringo had made his debut with The Beatles at Hulme Hall, Port Sunlight, on 18th August 1962. However, if the reception wasn’t great at Hulme Hall, he was in for a rude awakening four days later at the Cavern Club. Debbie Greenberg remembers it well.
“Overnight, the Beatles had a following of devoted fans and I was one of them,” recalled Debbie. “The amazing thing about the Cavern was that the Beatles and all the groups were so accessible. We were literally inches away as they played.
“Pete Forever, Ringo Never”
“The girls went crazy when Pete Best was sacked and replaced by Ringo. Pete was sultry, fiercely good-looking and oozed sex appeal. They would heckle the Beatles when they were on stage, shouting; “Pete forever, Ringo never.” We were all outraged and couldn’t understand why Ringo was the new drummer. The sound didn’t seem any different to us.
Rumours about Pete’s dismissal circulated around Liverpool. Some said he was too good-looking and Paul was jealous because he was getting the most attention from the girls. Others said Brian Epstein had decided his drumming wasn’t good enough. I don’t suppose any of us will ever get to the bottom of it; even Pete Best didn’t know why he was dropped.
“Hi there, all you cave-dwellers”
“The Beatles inspired many groups to embrace rock ‘n’ roll – and they all wanted to play the Cavern. The resident DJ, Bob Wooler, would always introduce the show with, “Hi there, all you cave-dwellers. We’ve got the Hi-FI high and the lights down low.” At the end of the night he always played “I’ll Be There” by Bobby Darin and we all knew it was time to leave. It was never the signal to get romantic as it was in other clubs. It was just time to go and catch the bus home.”
GET YOUR COPY OF DEBBIE’S GREAT BOOK ABOUT THE CAVERN
Cavern Club – The Inside Story
This first-hand account of Debbie’s teen years frequenting and eventually helping to run the original Cavern Club is the authentic inside story of the Beatles launch pad, full of triumphs and failures – and surprise celebrity encounters.
£17.25Original price was: £17.25.£13.50Current price is: £13.50.
