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Apple Records – Lost Records and Demos

Inside Number Three
Inside Number Three

Apple Records

As with all record companies, demos and lost recordings always feature, and it was the same with Apple Records too. However, those demos and lost recordings always resonate more with fans and some of these will feature in the next book, Deeper Inside No 3. Lost recordings and records always have a mystique, and these most certainly do. The photographs are as follows:

No. 1. Hey Jude / Revolution

Hey Jude / Revolution

This is a test pressing of that recording before the Parlophone Catalogue Number was applied R 5722. Shown here is the B side, which contains the handwriting for Promo Identification.

No. 2. Apple 8 King of Fuh – Brute Force.

Apple 8 King of Fuh - Brute Force
Apple 8 King of Fuh – Brute Force

So much again has been said about this issue, but a quick re-brief follows. Recorded and Written by Steve Friedland and first rejected by Capitol in the USA, John Lennon and George Harrison liked the content humour and agreed to release the song. Large numbers were pressed and issued to Media people, and when the song was finally listened to, it was agreed that it simply could not go out, so was recalled and dropped. Copies are changing hands at over 3,000 pounds.

No. 3. Que Sera Sera Apple 16 – Mary Hopkin.

Kay Sera Sera Apple 16 - Mary Hopkin
Que Sera Sera Apple 16 – Mary Hopkin

This single flopped when issued failing to chart anywhere in the world. Mary never liked the song and was against its release, so really her heart was not in it. Unsurprisingly it flopped and despite a re-release on Apple 27 it failed again, and both copies were quickly withdrawn.

No. 4. Happiness is a Warm Gun in Your Hand – The Beatles Demo Pressing.

Happiness is a Warm Gun in Your Hand - The Beatles Demo Pressing
Happiness is a Warm Gun in Your Hand – The Beatles Demo Pressing

This was a first-finished pressing for demo and listening only. Ostensibly a John Lennon song, as with the contract situation, the demo pressing was labelled as an EMI Recording, not Apple. This is one of the very few one-sided records in existence. Having been given this copy, in 1968, it has remained in my collection since then stored away from sunlight. This was to be the title until changed to the one we know today. The song was also reworked, mainly with the Tuba and brass moved backwards into the final mix.

No.5. Badfinger Apple 35 – Suitcase / The Name of the Game

No.5. Badfinger Apple 35 - Suitcase / The Name of the Game
No.5. Badfinger Apple 35 – Suitcase / The Name of the Game

Recorded by the band and planned as a single release during 1971/72. The songs were duly finished and were selected as the single APPLE 35. The finished recordings were listened to again, and George Harrison, who largely took Badfinger under his wing was rather scornful of the songs, saying that they were not strong enough. Maybe he was right at the time, but it’s worth remembering that when various compilations of Badfinger were assembled, both tracks were often included in the presentations.

This is just a sample of some of the lost and missed recordings. More will be found Deeper Inside No 3. Can you wait for it?

Nigel Pearce

In the meantime, get Nigel’s great book, Inside Number Three

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SOME GET AWAY AND SOME ARE FOUND AGAIN!!!

Sometimes You Get a Second Chance!!!

One of the more frustrating things about collecting rare limited edition Beatles-related books are the books that slip by for one reason or another. Sometimes it is the expense, sometimes the book sells out so quickly and you simply do not have the opportunity to buy it. Other times you are not aware of the book’s existence until it has already been sold out. This book published in 1979 escaped my notice when it was issued and it has now become very expensive to acquire.

It is called StarArt and it is a limited edition book of 300 copies signed by Joni Mitchell, Klaus Voormann, Commander Cody, and Rolling Stone, Ron Wood. Much of their individual artwork is featured in the book. When Cat Stevens changed his name to Yusuf Islam, he could not sign the limited edition. This book was advertised on Ebay and  the price being asked was too steep for me. However the seller did take bids and I was able to purchase the book for a significantly reduced price. This was the icing on the cake for me as I was also fortunate to be able to buy a copy of the trade edition and at a Fest for Beatles Fans convention in NJ many years ago, Klaus Voormann signed the copy of the trade edition for me. A cover photo of the trade edition features a drawing done in the classic Voormann style. (shown at the end of this post)

The ultimate realization when you collect limited edition books is that you need to know there are some things or titles that may be beyond your financial grasp or knowledge base that the book has been issued, unless you are independently wealthy. The best way to deal with that disappointment is one needs to feel psychologically grateful for what one has!!! A question is posed at the end of this post that has to deal with this issue in more detail and I would love to read your responses.

Starart
Starart

From the original Ebay description of the item– Signatures include: JONI MITCHELL, RONNIE WOOD (of THE ROLLING STONES); JOHN MAYALL; KLAUS VOORMANN; COMMANDER CODY and CAT STEVENS (who converted to the Muslim faith while the book was being published, and is the only one who did not sign–though there is an original card insert that states this) are also featured with their artwork. (edited and also signed by Debby Chesher)

The Star Autographs
The Star Autographs

The StarArt book and slipcase

The trade edition of the StarArt book with the Voormann style cover! It is a sad thing that all special edition books do not have a mass market edition that can be purchased by anyone that is interested. That is the fair way of doing things: I was able to get a signed copy of this book from Klaus Voormann at a Fest for Beatles Fans.

DO LIMITED EDITION BOOKS BOTHER YOU???

And now the question that I am very curious about as a collector and the example I cite below is not intended to single out Paul McCartney in this question. It could easily also apply to the $1350 John Lennon Mind Games set as well out together by his son Sean

Or is this simply a non-issue where if people want to spend large amounts for limited edition items, this is free enterprise and no one is forcing you to buy things at exorbitant prices that you can not afford? Should the artist be a bit more sensitive to making his/her fans feel they are missing out on something because it may have a price tag in the stratosphere? There is of course no right or wrong answer to these questions, but they still are interesting to ponder!

Does it bother you when Paul McCartney offers a 175-copy limited signed edition of his book featuring photos he took in late 63 and in 1964 as Beatlemania broke and the starting price begins at $3,000?  As a point of discussion, would it not be better if he was going to issue a limited edition of let’s say 1,000 books and charged $500 for a copy, instead? He could raise a half million dollars for charity that way and make 1,000 people happy rather than the 175 people of his new signed edition released in June of 2023. I know that would not satisfy everyone but at least it would make it much more affordable for the die-hard McCartney/Beatles fan that would like to acquire a special signed edition book by their hero!

What are your thoughts on this matter? Looking forward to your replies….

Buzz

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RARE JOHN LENNON MAGAZINES FROM THE UK

I have a couple of obscure UK John Lennon magazines that I purchased in my never-ending desire to secure Beatles-related cover stories; in this case. Purchasing the magazine is not necessarily an endorsement of the content contained within the magazine. I am fascinated by how certain authors treat the members of the band that we love so much and what their insights may be!

Sunday Telegraph September 27, 1998

Among the John Lennon magazines is this one that deals with Julian Lennon’s feelings of abandonment by his dad. Ironically, John ended up treating his son like his own father had treated him. Julian in recent years has seemed to come to grips with his own father’s insecurities and deep-rooted childhood pain.

Julian Lennon talking about his father John
Julian Lennon talking about his father John

December 1, 2000 Issue of ES magazine-deals with a lot of the haunts that John visited and frequented in London.

John Lennon's London
John Lennon’s London

A fascinating part of my collection are these John Lennon magazines. Do you collect magazines too?

Buzz

Books About John Lennon