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The Beatles: In My Life

The Beatles In My Life
The Beatles In My Life
The Beatles “In My Life”

“In My Life” from Rubber Soul

“In My Life” is one of the most critically acclaimed Beatles songs, and one that John Lennon himself, so exacting and self-critical, called “my first real major piece of work.” The song was written in 1965, in part spurred by a conversation he had with a British journalist named Kenneth Allsop. Commenting in the David Sheff biography All We Are Saying, Lennon talked about the song:

I think “In My Life” was the first song that I wrote that was really, consciously about my life, and it was sparked by a remark a journalist and writer in England [Allsop] made after ‘[Lennon’s book] In His Own Write came out…. But he said to me, “Why don’t you put some of the way you write in the book, as it were, in the songs? Or why don’t you put something about your childhood into the songs?” Which came out later as “Penny Lane” from Paul – although it was actually me who lived in Penny Lane – and “Strawberry Fields.”

John Lennon on “In My Life”

Lennon first started writing lyrics as if he were on a bus from home, mentioning all the things he saw. He quickly saw that this was not working. From the same interview for All We Are Saying:

                And it was ridiculous…. [I]t was the most boring sort of “What I Did on My Holidays Bus Trip” song and it wasn’t working at all. I cannot do this! I cannot do this!

But then I laid back and these lyrics started coming to me about the places I remember. Now Paul helped write the middle-eight melody. The whole lyrics were already written before Paul had even heard it…. [His contribution melodically was the harmony and the middle eight itself].

Recording “In My Life”

When it came time to record the finished song in the studio, Lennon asked producer George Martin if he could write a Baroque-influenced piano solo for the song. Martin did this with beautiful Bach-sounding section that he could not play well at the tempo of “In My Life.” So, as an experiment, the solo was recorded at half speed, then played back at full speed and higher in pitch. It sounded not like a piano, but a harpsichord, and it worked memorably.

The song’s origin has often sparked speculation, parlor game style, about who Lennon was writing about. He never spoke of this, but years later Yoko Ono said that John wrote it for Paul. And over the years, it has been covered by innumerable artists, including Bette Midler. She didn’t sing “In My Life” then, but it would have fit.

What Can We Learn?

In challenging times our task is somehow to continue to do what we can, day by day, to be whole. Perhaps this can be nurtured by some reflection on “the people and things” that have mattered to us, that can help sustain us when it can feel like we are in basic survival mode. 

Tim Hatfield

Discover the meaning behind Beatles songs and how we can apply these lessons in our own lives in Tim’s great book.

httpss://www.youtube.com/watch?v=mBqqeqcJM_0
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The Beatles Merchandise: the Beatles Banjo?

The Beatles banjo
The Beatles banjo
The Beatles banjo

Beatles Merchandise – Part 2

Beatles merchandise was the subject of so much interest and fascination in the 1960s.

Beatles-themed musical instruments became hot ticket items to manufacture in the mid-1960s. One piece that went into production was the banjo. It seemed to be a stretch in keeping with the theme since the band did not feature that musical instrument. However, it did have a legendary connection to John Lennon, as his mother, Julia, taught him to play Buddy Holly’s classic, That’ll Be The Day, on her banjo. This appreciation of a stringed instrument carried his fascination over to the next instrument…the guitar.

The Beatles Banjo with its packaging
The Beatles Banjo with its packaging

The Beatles Banjo

Mastro Musical Instruments in New York manufactured the 22″ long (56cm) piece. The instrument had four strings, accompanied by an instruction booklet (labeled as a “self-teaching method”). The creation was gold and cream with four headpins and a bridge. Along with facsimile signatures, the banjo’s white head exhibited headshots of each member of the group in either red or blue ink. The description on the skin read “The Beatles Banjo” with “Mastro Industries…The Beatles…Made in the U.S.A. under license.” The gold headstock displayed the words “Mastro Banjo” in red and blue ink.

Advert for The Beatles Banjo
Advert for The Beatles Banjo

Licensed by NEMS

The plastic banjo arrived either in a cardboard box or attached to a colorful sealed card. The creamy cardboard Mastro Banjo box measured 23½” x9½” x3¾” (59.5cm x 24cm x 9.5cm) and displayed a red and black print. Licensed by NEMS, the banjo initially sold for around $12. Additionally, Mastro included an official leaflet from Mastro, and it advertised various instrumental Beatles items for sale, including the Banjo, Bongos, and a Drum.

Mastro Industries Incorporated was located at 3040 Webster Avenue, New York 67, New York 10467. Their telephone number in the Sixties was 212-KI-7-5600.

Terry Crain

Read PART! here

Discover this and many more stories in Terry Crain‘s excellent book on Beatles Merchandise

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The Beatles: “Love Me Do”. Did Ringo Play on their First Single?

The Beatles first single, "Love Me Do"
The Beatles first single "Love Me Do"
The Beatles “Love Me Do”

5TH OCTOBER 1962: THE BEATLES FIRST SINGLE IISSUED ITHE UK

After the first session with George Martin on 4th September 1962, Martin decided to bring in a session drummer. As a result, Andy White was recruited for the second session a week later.

“RINGO DIDN’T DRUM ON THE FIRST SINGLE”

Paul was convinced that Ringo didn’t play drums on the group’s first Parlophone single, “Love Me Do” – and Ringo agreed. But, history has shown that he was indeed on the UK single release. Considering that Andy White was hired to drum on the recording, there are questions. Was Ringo’s version mistakenly released on the UK single? After all, the White version of “Love Me Do” appeared on The Beatles’ debut studio album Please Please Me, the UK EP release The Beatles’ Hits, and also on their U.S. single release.

“Love Me Do” The Beatles’ first single released on 5th October 1962

WAS IT RELEASED BY MISTAKE? ANY EVIDENCE?

If the Ringo version wasn’t considered good enough after 4th September, why release that first version? Neither George Martin nor Ron Richards were sure if it was selected intentionally or not.

Releases of “Love Me Do” issued after The Beatles’ Hits on 21st September 1963 contained Andy White’s version. Why? The original master recording of Ringo’s version of “Love Me Do” destroyed or recorded over. EMI only had Andy White’s 11th September recording to use. It was the only remaining – and arguably the superior – version. When “Love Me Do” was released in the U.S. in April 1964, it was Andy White’s version that was used.

MCARTNEY NOT MCCARTNEY!

A further mistake was made when 250 promo discs of “Love Me Do” were released, misspelling Paul’s name as McArtney; something he was used to in Mersey Beat. One of these discs was sold in October 2017 for $14,757, the most expensive 7-inch single ever sold.

50TH ANNIVERSARY MISTAKE?

In a twist of fate – or was it an inside joke – when Apple decided to reissue “Love Me Do” on the 50th anniversary, they initially used Andy White’s version. They then had to quickly recall those records, so that Ringo’s version could be issued.

The final piece of evidence is one of omission. With the group’s popularity increasing, why did they not ask Ringo to re-record “Love Me Do” for the album? The conclusion is that Ringo’ version was most likely released by accident. That is not uncommon in the recording industry, even today. Nothing else really makes sense.

Excerpt from Finding the Fourth Beatle the story of the 23 drummers who put the beat into The Beatles

David Bedford