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The Beatles “Nowhere Man” on Rubber Soul

Nowhere Man by The Beatles
"Nowhere Man" by The Beatles on Rubber Soul
“Nowhere Man” by The Beatles on Rubber Soul

“Nowhere Man”

What was the story behind “Nowhere Man” by The Beatles?

John Lennon wrote “Nowhere Man” when he was struggling, as was Paul McCartney, to write new material for the album that eventually became Rubber Soul.

Lennon was working at home in Weybridge, feeling isolated and unproductive. In his biography All We are Saying, David Sheff quoted Lennon’s recollection of that time:

I’d spent five hours that morning trying to write a song that was meaningful and good and I finally gave up and lay down. Then “Nowhere Man” came, words and music, the whole damn thing, as I lay down.

So, at least at that moment, it was Lennon himself who was going nowhere, doing nothing. But something beautiful came of it, indeed. In the studio in October 1965, John, Paul, and George began with the harmonious a cappella introduction, John double-tracked his lead vocal, and the group pestered the recording engineers to make the guitar sound as trebly as they could. Add to that George and John’s tandem guitar solo, followed by the one perfect little note that sounded like a bell, and you have the makings of a beautiful song. It remained in the Beatles’ on-stage repertoire, too, all the way to their last concert performance in San Francisco’s Candlestick Park in late August of 1966.

There must be moments while enduring the uncertainties of the hard times in our lives that we all feel like we, too, have been stopped in our tracks. It’s up to us to persevere, though, until we ourselves or someone else lends us a hand.

Get Tim’s Book

Discover more insights into the Beatles songs from Tim Hatfield in his excellent book:

Listen Now to “Nowhere Man” by The Beatles

httpss://www.youtube.com/watch?v=8scSwaKbE64
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Ed Sullivan Show: “I Came of Age With The Beatles”

The Beatles on the Ed Sullivan Show
The Beatles on the Ed Sullivan Show
The Beatles on the Ed Sullivan Show

The Ed Sullivan Show changed the lives of millions of Americans. “I’ve been a Beatles fan for 47 years. I was halfway through my first year of college when, on February 9, 1964, about 20 guys crowded around a tiny black and white TV screen in our dorm to watch a popular Sunday evening variety show hosted by a rather odd-looking man with strange diction named Ed Sullivan. But when he pointed to his left and shouted, “The Beatles!” everything, everything changed. A theater full of teenaged girls screamed nonstop while these 4 young guys, barely out of their teens themselves, sang four songs.

After the Assassination

“A lot of parents were horrified, probably flashing back on the terrible influence of Elvis just a few short years before. But the whole nation, in an extended period of mourning after a young, charismatic President had been assassinated not three months earlier, may have experienced its first sense that perhaps things could begin to be OK again.

The Beatles Conquered America

“In the summer of ’64 the Beatles conquered America in earnest, hopscotching coast to coast with a series of concerts that would pale in comparison to the huge, elaborate stadium shows of today. One of the venues was a modest arena within walking distance of the working class section of Cincinnati where I grew up. I got tickets to the concert, and my younger brother and I walked there to become part of an audience of around 15,000 people that sounded and acted exactly like the kids at Ed Sullivan’s show.

Blood-Curdling Scream

“In fact, when the Beatles took the stage, the girl sitting behind me let out a blood-curdling scream directly into my right ear, and the whole 45 minute or so show was filtered through a tinnitus-like haze. But it was……perfect.

“I came of age with the Beatles, accompanied by them through the turbulent Sixties as they creatively grew and evolved in astounding leaps – absorbing, integrating, mirroring, influencing, leading. I loved their music, always have, and loved the last side of their last album the most of all. To this day, despite loving so many of their songs, I still love the Abbey Road medley above all the others.

The Beatles as Musicians

“Flash forward 41 years. After a career as a high school counselor, followed by a 30-year career as a professor of counselor education, I sat in on the first-ever offering of my colleague Paul Vance’s course “The Beatles as Musicians.” The Beatles always had been a big presence in my life, but this class was like receiving a high-potency transfusion. All the memories, all the joy that the Beatles had brought to my life, came rushing back; and in my retirement a burst of increased curiosity and creativity took me over.

Major Research

“All four of our kids were launched, and I committed to a major research project on the Abbey Road medley. It finally was published in February 2020 on the Beatlefan Magazine website**…..just as it was beginning to dawn on the United States and the entire world that there may be a serious global pandemic to contend with.

“And exactly one month later, after agonizing about whether there was anything I could do to be of help to people so stressed and worried about the relentless coronavirus pandemic, I decided to send out a Beatles song as a little uplifting gift to a small group of family and friends. I’ll include it below. But I’ll close by summarizing that the list of recipients grew bit by bit until over 220 people were hearing from me every day with a different Beatles song – every day until early in December of 2020, when I had randomly sent every Beatles song I could find, early and late, mainstream and obscure, hits and demos. It was a labor of love. It helped me to survive the pandemic. And I heard throughout those months that it helped others survive it as well by providing little upbeat vacations from the anxious times.

This Should Be A Book!

Many recipients kept saying, “This should be a book!” And except for of making the focus the more generic “any challenging time” instead of “the Covid pandemic,” that is the book that grew out of my lifelong love of the Beatles. It was published as an ebook on Amazon in June of 2021: When We Find Ourselves in Times of Trouble: The Beatles (All Their Songs with Encouraging Words for Challenging Times. I hope you enjoy it.

Tim Hatfield

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A Spaniard in The Works – Rescheduled

John Lennon's A Spaniard in the Works
John Lennon's A Spaniard in The Works
John Lennon’s A Spaniard in The Works

A Spaniard in The Works

“We must not forget the general Webinar Direction!”

(A Spaniard in the Works fans…the direction is clear:

We Have Rescheduled!!

Join us on Tuesday night,

19 October!!

Join Jude Southerland Kessler on  

TUESDAY NIGHT, 19 October

at 7:30 p.m. Central

for a FREE Focal Points Webinar 

on

John Lennon’s A Spaniard in the Works

Register Here

Jude’s Books

Check out Jude’s fascinating books in the John Lennon series

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Seltaeb & NEMS: How Does a Girl Keep Her “Coif” Neat?

Beatles Scarf
Beatles Scarf
Beatles Scarf

How does a girl keep her “coif” neat while taking a spin in her boyfriend’s convertible? Wrap it with a Beatles Scarf, and all will be well, especially since it advertised “for the girls to wear on their heads or around their necks.”

Beatles Square Silk Scarf
Beatles Square Silk Scarf

NEMS Ent.

One style came as a square silk-type scarf measuring 26½” x26½” (66cm) and licensed with NEMS Ent. Ltd. The scarf fabric was white, with vivid colors of yellow, blue, red, and black. One corner of the material had silk-screened repeating image patterns of headshots of the band in black and white, as well as graphics of guitars, drums, and printed names of songs – Don’t Bother Me, Hold Me Tight, I Saw Her Standing There, Not A Second Time, Little Child, I Want To Hold Your Hand.

Seltaeb

The scarf came trimmed with a delicate fringe along the edge. The scarf also came in a 15″ x15″ version. These Beatle’s scarves (and same-design handkerchiefs) were produced under license from NEMS via Seltaeb by Durlacher & Company Limited.

These Beatle’s scarves (and same-design handkerchiefs) were produced under license from NEMS via Seltaeb by Durlacher & Company Limited, a scarf manufacturer and dealer in New York established in 1909. One address was 4711 Van Dam Street, Long Island City, NY 11101.

Lawsuit

Durlacher & Company was named in a NEMS Enterprises, Ltd. vs. Seltaeb, Incorporated lawsuit filed in the Appellate Division of the Supreme Court of the State of New York, First Judicial Department, dated: New York, New York, July 6, 1965.

These original scarves had a fringe trim around the edges on a white background. Some reproductions have a different color background, and many do not have the fringe on the material.

Groovy Design

Another groovy design offered at this time was a 27″ square scarf that had Beatle autographs printed on the entire surface of the fabric. Also published on the material were four large records with “Beatles” in the center of each. Red, gold, and black print complemented the white fabric.

“I had Beatle stuff, too! I remember the charm bracelet, pencils, notebooks, purses, and scarves. I lived in Michigan in the early ’60s and used my lunch money to buy everything at the 5 and 10. Oh wow, I wish I still had it all!!!!”  – Karen Glasgow McGee

Scarf with The Beatles Printed On
Scarf with The Beatles Printed On

Beatles Official Headband

Dame Belt & Bag also made a slightly different style from cloth or canvas fabric. The triangular-shaped scarf measured approximately 23″ x15½” x15½” (another was 13″ x11″ x11″) and had leather ties sewn along the top edge for fastening. A repeated pattern of Beatle faces and autographs in black print adorned the fabric print. Sold in a plastic package – which included a group picture printed at the top and advertised the piece as the “official headband – the scarves came in various colors (blue, yellow, white, or red). The accessory was attached to a colored photo card that read “Beatles Official Headband.” Another packaging variation had a group picture with the identification: “The Beatles.” Other companies other than Dame also made a triangle scarf variation, but their licensing is yet to be determined.

Made for Seltaeb

The backing card on the package included a color photo of the group in a standing position. The item’s plastic packaging announced: “Made for Seltaeb by Dame – The Beatles Official Headband,” with a black and white headshot of the band.

Dame Belt & Bag was named in a NEMS Enterprises, Ltd vs. Seltaeb, Incorporated lawsuit filed in the Appellate Division of the Supreme Court of the State of New York, First Judicial Department, dated: New York, New York, July 6, 1965.

Terry Crain

Find out More in Terry’s Book

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“This is a Wonderful Book”

The Beatles Era
The Beatles Era
The Beatles Era

A Review from The British Beatles Fan Club

This enjoyable book is not long, just 104 pages, but I found it an interesting read. Really, it is a collection of five essays about the Beatles broken down by five eras defined by the author.

Before The Beatles

The first, “Before the Beatles”, explores the forces that came together to create the magic that produced The Beatles and their success. Some of this has been written about before, but I found Peter’s take on it a bit broader than usual incorporating facts about the vinyl record production process, for example, and its impact on their rise to fame.

The Beatles Years

The second section, “The Beatles Years”, focuses on more subtle impact The Beatles had on the world. As the author states, in the first paragraph, there are many other books that will tell you the facts and timelines about The Beatles from their time in Germany to their breakup. In this section he explores impacts of their fame on other artists, album cover imagery, religion and more.

The Solo Years

The next two sections cover the solo careers of the Beatles broken into “The Solo Years” and “The Reduced Solo Years.” In these chapters the author attempts to determine if The Beatles maintained the same level of creativity as solo artists or was the magic of the foursome more than the sum of the parts. It also touches on the fact that despite the fact that they broke up years ago, the have somehow become bigger rather than fade away.

After The Beatles

The final section is titled “After the Beatles”, and interestingly states that the “after” has not yet begun. Interest in The Beatles is still huge and with Paul and Ringo still producing great music 5o years later, they are still huge. He wonders will the after period happen gradually as the remaining two Beatles age or will it begin suddenly where there are no more Beatles left to make new music?

Great Questions for Debate

I’ve deliberately not given away too much since the book is not long. This is a wonderful book to sit down with on a rainy day that will get you asking yourself questions. It would be a great book for a book club discussion as it poses great questions for debate, rather than just detailing timelines and documenting facts that we’ve all read before.

Michele Copp

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Love Me Do: Beatles Drummer Disaster with George Martin

Ringo, George, John and Paul at Abbey Road

4th September 1962: Love Me Do – The Beatles at EMI Studios

September 4th marks the 59th anniversary of Ringo Starr’s first recording session with the Beatles. Having endured one disastrous ‘test’ session on June 6th (with Pete Best behind the drum kit), the Beatles, with new drummer Ringo Starr, made an attempt at recording a potential first 45rpm single with Parlophone. 

The session was once again a disaster for the Beatles’ drummer. Perhaps overly nervous, and keen to impress after Pete Best’s rejection by George Martin and his assistant Ron Richards, during the rehearsal of Please Please Me, Ringo had a rush of blood to the head.

“I was playing the bass drum and the hi-hat, and I had a tambourine in one hand and a maraca in the other, and I was hitting the cymbals as well …… trying to play all the instruments at once”.

Recording!

Ringo was susceptible to a deadly trap a studio ‘ virgin’ could fall into, namely the dreaded ‘red light syndrome’. The new recruit appears calm and collected, until suddenly the studio red light flashes on, and a voice from the control room booms – ‘RECORDING!’. All of a sudden, bowels churn, you break into a cold sweat, your mouth is dry and miraculously, your sticks turn to rubber. After all, this could be your one big chance and now you are about to ruin it for everyone. You just freeze. Once again, at the crucial moment, the Beatles’ drummer had come unstuck, and his card was marked.

“How Do You Do It?”

The Beatles soldiered on, and begrudgingly recorded Mitch Murray’s How Do You Do It, turning in a workmanlike yet professional performance. Love Me Do however, took 15 takes to record, requiring a lot of editing to create the final, coherent version. As a result, the session over-ran. A further session was scheduled exactly a week later. 

“Love Me Do” with Andy White

Love Me Do was now being recorded for the third time – such a luxury could not be tolerated, especially as this session was to last no longer than one and three-quarter hours, half the time usually allowed. The song had to be recorded professionally and swiftly. This time, Martin was taking no chances – he had booked session drummer Andy White to take Ringo’s place. White was one of the country’s top drummers, and was well aware of the demands and constraints of the recording studio environment.

A session musician would have to be able to perform perfectly and precisely with discipline, control and without error. Ringo however, was a different animal, the studio being alien to him. With a session man behind the kit, Richards knew he could rely on White to lay down the drum track with minimum fuss, and maximum results. And so it proved, White earning his £5.15s session fee with consummate ease.

Ringo on Tambourine

This remake of Love Me Do was completed with Ringo playing alongside White on tambourine, this being the easiest way to distinguish which version has Andy White on drums. It certainly has a punchier feel to it than Ringo’s version, due to the fact the rest of the band were more familiar with the song and had probably rehearsed it in preparation for their third attempt at recording it. There is a more confident, professional presentation, due mainly to the added luxury of a tambourine. 

“Love Me Do” master destroyed

Oddly, Ringo’s September 4th recording of Love Me Do was released as the Beatles’ first single, the Andy White version being included on the Please Please Me LP, and becoming the official version for all future releases – the master tape of Ringo’s version was either destroyed, or more likely recorded over. Future releases of the Ringo version (from a 1982 anniversary release onwards) were taken from a pristine copy of an original single.

Read more about the stories behind the beat of Love Me Do, Please Please Me, and all of the Beatles’ releases in Ringo Starr And The Beatles Beat, available in the Beatles Book Store.

Alex Cain